Most photographers will have added star rankings to their images externally, and there is the option to overwrite those. However, it’s worth noting that you can reassign colors and stars to different groupings than those suggested by the program. Other stars and colors have different meanings, and I won’t go through all of them here. The duplicates are marked yellow with three stars. Looking in the duplicates folder, the image Aftershoot has decided to keep has a green tag and five stars. S will mark one as a selected photo that you want to save. Keyboard shortcut A will swap the duplicates with the selected image. X on the keyboard rejects images you don’t want to use. For example, G takes you to the grid View. Like many other programs, there are many useful keyboard shortcuts. Once you have applied the settings you wanted, you press the Start Culling button.ĭepending upon the number of photos, the culling process takes a few minutes to process the images.Ĭlicking thumbnails will open the pictures in Loupe View so you can inspect the images more closely. So, in that case, I would turn off the duplicates selection altogether. I like to choose manually which I should keep. For my seascape photography, there are dynamic features, like the positioning of the waves or gulls flying into the photos. So, I would switch off the blur detection for my abstract photos. ![]() Again, you can choose a percentage of your photos that it selects in this way, from 0% to 20%.īelow are the advanced settings that allow you to turn off each of the three filters. Less is 10%, Moderate is 20%, and More is 30%.įinally, the Volume of Sneak Previews suggests the images the program thinks will do well on social media. Selections in a Duplicate Set give you different percentages of images you have filtered that it will select to keep. If you are trigger-happy, shoot far too many photos, and your camera fires off 120 frames a second like mine, then the Extreme setting may be best for you. Moderate will, of course, fall between those settings. Strict will group more images together and will probably be employed by event photographers who will shoot many similar images. I can see this appealing to wildlife photographers who shot multiple frames of the same animal with only the slightest change between them. The Lenient setting will create new duplicate sets with the subtlest of changes between the images, so you keep more images. This has four settings: Lenient, Moderate, Strict, and Extreme. The second parameter is the Grouping of Duplicates. Moderate, of course, falls between those alternatives. So, if you shoot with a very shallow depth of field or perhaps use a soft-focus lens, then the lenient setting may be the best choice. At the other end of the scale, the Lenient setting will only exclude those photos that are completely out of focus. So, if you only want to keep the pin-sharp images, choose that. The strict setting will cull all images where the images are unsharp. There are three levels from which you can choose: Strict, Moderate, and Lenient. The great thing is that even if multiple similar images are blurred, the program will leave you with one of those. The first of those parameters is blurred photos. This means the software allows you to decide how rigorously to cull your images according to various parameters you can set. This opens the Set Preferences window, where you can choose the thresholds you want to apply. Similarly, you can import images already on your internal or external storage.Īfter import, you click on the Start Culling button. There is also the option to rename the files and retain the folder structure from the memory card. You can also add a secondary location for backing up your photos. (Ingest is synonymous with import.) As with most software, you can choose where you want the photos imported. You start by “Ingesting” your photos into the program and onto your working hard drive. Abandoning caution, I decided to let it get to work on my catalog to reduce the clutter and see if it could apply my styles to different photoshoots. This time it works with Lightroom to adjust photos to match your style. It caught my eye because it has also released a beta version of the new Aftershoot Edits, again using AI. But if used to our advantage, it can be incredibly beneficial for speeding up our workflow. ![]() AI has a lot of bad press with criticisms I greatly sympathize with.
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